Trying to find cover artists can be quite a challenge sometimes but luckily Macmillan and PAN are from the same company and have been know to share the same artwork. I had a PAN copy of ‘Harvest of the Sun’ by E. V. Thompson but it didn’t give a cover credit but on looking at the same artwork on the hardback edition it gave me a familiar name, Liz Moyes. I emailed Brian Sanders to ask if he knew of any other Thompson covers Lizzie might have painted but we drew a bank although he did tell me it was Clare Davies on the right centre cover of Lizzie’s trilogy. With ‘Cassie’ it was reversed in that the PAN edition named Cecil Vieweg while the Macmillan didn’t but it did have a wrap round cover. Just to complete the set as it were ‘Chase The Wind’ credits Gordon Crabb on both editions. I have 20 issues of the E. V. Thompson newsletter and clicking on the roundel will show the first page of issue one. 

After mentioning ‘The House at World’s End’ last week I came across the hardback edition which had very long inscriptions by both Monica Dickens and her daughter Pamela. I’ve put the scan on the same page as the Piccolo edition with the cover by artist Peter Charles of whom we still know nothing apart from he might have been American. This could account for why there are so few covers by him on UK editions. Any PAN Fans in the States know anymore?

I like it when I find a cover I haven’t seen before and this time it was for the 1977 edition of ‘Raintree County’ by David Tayler. It uses the same artwork as the 1958 edition with a few tweaks, so recycling nearly 20 years later.

On our visit to the family in Kent last week we popped over to Whitstable for the day as they had a ‘town trail’ quiz for us to follow. What I did spot that was not included in it was a blue plaque on a house where Peter Cushing spent the last years of his life. This made me think of which covers featured Peter and so far I have only come up with two namely ‘The Man Who Finally Died’ and ‘Dr. Terror’s House of Horror’ Click on the plaque to see the house.

It was good to hear from Jim O’Brien again who was asking if I knew anything about artist Peter Charles who painted four covers for the ‘World’s End’ series. Sorry to say I don’t and searching doesn’t seem to throw up any useful answers, anyone out there who can help? Jim also mentioned he had got his article on John Raynes published in edition number 68 of ‘Illustration’ magazine from last summer. It’s a very good read especially as it features so many PAN covers plus a great picture of Sheila Raynes posing for a reference photo for ‘The Jesuit Trap’

I was pleased to get an email from Nicholas Blake to let me know PAN had awarded another of their ‘Golden PAN Awards’. This time to Douglas Stuart’ for his Booker Prize winning novel ‘Shuggie Bain’ which has now sold over a million copies. Douglas was presented with the award at a surprise ceremony on the 21st April. This just happened to be my wife’s birthday and I think I made it into her good books by giving her the original artwork for ‘Also Known As Sadzia! The Belly Dancer!‘ painted by Kay Hodges. which she had always said was one of her favourites.

Amongst the many items I acquired that were going to be included in the ‘PAN Book  of Horror Stories Scrapbook’ are several letters from Herbert van Thal to authors whose stories were either included or rejected. They are mostly from around the time of numbers books 14 to 17 and I have put a selection HERE

With a  few odd Plaidy titles to go I’ll add them to the site over the next few weeks so I can get them back on the shelves but I’m including ‘Charles II’ as it is probably  the last series not featured up to now and has three titles. As usual most of the artists are unknow apart from ‘The Wandering Prince’ by Pat Owen although the other two are in the same style so could also be by him.

Francis Wilford-Smith (1927 to 2009) signed his work ‘Smilby’ which was contraction of his surname with his wife’s maiden name, Kilby. Wilford-Smith attended Warwick School and later the Camberwell School of Art in London, specialising in illustration and wood engraving. His cartoons have appeared in Punch, The New Yorker, Esquire, Playboy and the Saturday Evening Post. As far as I can tell he is only credited with one PAN cover ‘Quote & Unquote’ I did wonder which came first, the BBC Radio 4 programme ‘Quote… Unquote’ chaired by Nigel Rees and this book? It seems this book was first as the radio show wasn’t broadcast until the 4th January 1976 with the spin off books to follow. I was going to use a couple of examples of his cartoons but most of them are of a slightly saucy nature! (just Google his name!)

Jackie Moggridge was born Dolores Theresa Sorour; on the 1st March 1922 and died on the 7th January 2004. She was a pioneering pilot and the first woman to do a parachute jump in South Africa . Her ashes were due to be scattered from a Spitfire on the 7th April but it was postponed. It is interesting to see the same photo was used for the covers of all editions of her autobiography including PAN G238 ‘Woman Pilot’ painted by de Marco. Gerald Alexander Fahey (1919 to 1999) painted several covers for PAN but not under his real name but as de Marco. Fahey painted Sci/Fi covers in the fifties under his real name and one example is HERE I think his later covers were an improvement!

As promised here are a few ‘Pavanne’ and ‘Picador’ covers. The ‘Pavanne’ selection is from a style used around 1986 and has one which is not painted but is here as it includes my surname of which I have a small collection. The ‘Picadors’ are later but proof copies of which there seems to be an inordinate amount around. The majority of the ‘Pavanne’ covers are in ‘B’ format apart from the 1984 edition of ‘The Dud Avocado’ in ‘A’ format. I did order a 1987 edition which mysteriously got ‘lost in the post’ As this was the only copy I could find on the web I beginning to have my suspicions ……!!! I have included one back cover to show how they featured the writer and will do the others when I have time.

UPDATE I have now got a copy of the 1987 edition of ‘The Dud Avocado’ which did cost me a bit more than the ‘lost’ copy as I expected!

Always pleased to find another Hans Helweg and this time it’s for ‘The Old Woman and her Pig’ in the Oxford University Press Structured Readers. Scroll down the page to see this and two more in the same series.

While Grandson William was visiting we were reading ‘Sarah and Simon and No Red Paint’ by Edward Ardizzone and I was taken by this drawing, it reminded me of my ‘library’

I was sorry to hear of the death of Henry ‘Harry’ Patterson (27/071929 to 09/04/2022) probably better know to PAN readers under his pen name of Jack Higgins. I have a couple of pages relating to his work with book covers HERE and Keith Scaife’s artwork HERE

It was lovely having the family up from Kent last week and with all the outings for Grandson William to Country Parks, Historic Buildings and Adventure Playgrounds there hasn’t been not much time for in depth blogging – no change there do I hear you say?

While looking through a copy of ‘The Dark of the Sun’ I was pleased when I found this in it making a change from the usual Prudential cards. It’s actually useful in that the end is perforated to tear off and cut to make a bookmark? It says you can get 5% interest which seems like a world away when you are lucky to get 0.05% these days.

Jules Burt has recently produced a short video looking at the 30 titles in the ‘PAN Book of Horror Stories’ series. This recommendation has nothing to do with the fact my website gets a name check! (Thanks Jules)

I hadn’t realised how many different editions of ‘The Dark of the Sun’ by Wilbur Smith PAN published since 1968 with several with the ‘PAN Man’ logo and at least three with the later ‘wavy lines’ I’ve only included the ones with the ‘Man’  and I am still trying to find the cover artist for the 1980 edition.

While looking through some duplicates deciding which to pass on to a National Trust secondhand bookshop I found a postcard of French Chateaus. This reminded me of a piece of artwork I bought off eBay a couple of years ago by a well  known PAN cover artist, namely John Raynes. I was the only bidder and looking back it cost me £30 which was a real bargain as it came in a nice frame and the size (60cm x 30cm) means it fits perfectly over a door. Just Googling I’ve spotted several of John’s artworks around the mid £1,500 mark with one at nearly £6,000! Click on the postcard to see the artwork of the Chateau at Chinon.

PAN were quite consistent in naming their imprints beginning with ‘P’ with ‘Piccolo’ and ‘Young Piper’ for children’s titles and ‘Pavanne’, ‘Picador’ and ‘Piper’ for adult titles although ‘Picador’ could have been ‘Primrose’ as this was originally suggested. 
I’ve previously mentioned trying to find ‘Pavanne’ titles where the name is under the PAN logo before PAN used just the Pavanne name. I do like the artwork on some of the Pavanne’ titles but dislike others. I’ll add a few of my favourites shortly but here are a couple of ‘Pavanne’ tiles given away with ‘Options’ in 1983/4. When I saw ‘Options’ my first thought was the chocolate drink but probably more likely the magazine which started in 1982.

I emailed one of the artists who painted a cover for a ‘Pavanne’ title who rang me up the same day. They  asked me NOT to include their cover as they really didn’t like it and it was not the sort of thing they did now. I’ve promised not to name names!

Having watched Jules Burt’s latest excellent video of collectors talking about their collections I was obliged to buy a copy of ‘White Spines’ by Nicholas Royale as I was impressed to find another ‘Picador’ collector but on checking I only have a tenth of his 1,000 plus. With this year being the 50th anniversary of ‘Picador’ I’ve got out the sets published for their 30th anniversary set which had ‘XXX’ on the spines above ‘Picador’, the 40th anniversary set which had ’40’ under ‘Picador’ and the 50th anniversary set which had ‘Collection’ under ‘Picador’

Having got football out of the way a few weeks ago I am now going to do the same with another subject I’m not really into, namely fishing. I quite like the idea of using it as an excuse to sit on a bank and read a book but as for actually catching a fish this doesn’t really appeal. I know it is one of the most popular past times world wide so it’s probably just me. I think the first time PAN got into angling was in 1967 with the publication of ‘Fishing’ by Richard Arnold and numbered M203. It was around 1973 that PAN started the ‘PAN Angler’s Library’ of which I have found 14 titles label as such but there may be more.

There was a post on the ‘Shutists’ Facebook page where someone had noticed a mistake in the list of books by Nevil Shute in the 1973 6th printing of ‘An Old Captivity’ It includes ‘Gold From Crete’ which is by C S Forester and not Shute. I have looked in both the 5th and 7th printings and it is not there but I will looking in other titles from around that time.

Having written about Lyn Kirby, who worked at PAN in the 80s, she sent me a few snippets which I’m happy to include here;
1) Lyn’s boss was David Bleasdale, Production Director, and who was used as the model for the cover of ‘The Autobiography of Henry VIII’ which was painted by Gino d’Achille
2) When Lyn left she was presented with a dummy book of Douglas Adam’s latest in the Hitchhiker series ‘So Long, and Thanks for All the Fish’
3) Lyn was tasked with sourcing the lenticular picture on the box and the hardback of ‘So Long, and Thanks for All the Fish’ and as with most things plastic back then it probably came from Hong Kong.

4) Lyn was asked  to do the colour correction on the cover of ‘Wicked Willie‘. She wrote “The pink of his face had to match the pink of his ahem, Willie and that was something I was a bit embarrassed about telling my repro house at my tender age!”
5) It’s a small world as Lyn is a room guide at Nuffield Place and you never know we may have met each other when we were down there recently for a family gathering.

This weeks original artwork is for ‘Mandingo’ by Kyle Onstott that was used for at least five editions from 1961 through to 1974 when PAN changed to a film tie-in. I can’t find it listed in Hans Helweg’s ledger but he was getting paid £50 16s for other titles at this time. While looking at other editions from various publisher I was intrigued to see this 1963 Spanish edition printed by Luis de Caralt in Barcelona. I’d like to think it was done in homage to the one Hans painted  and not a poor quality ‘rip off’

While looking at the cover of ‘The Karamanov Equations I was reminded of another couple of cover but may be not as close as I thought. I’ve also included a copy of the script for a film that never made it to the ‘big screen” I think this book by Marshall Goldberg.is the only title of his that PAN published.

A couple of years ago I mentioned tracking down the location of a plaque for artist Ben Ostrick (who painted for PAN as J. Oval) and it turned out to be in Australia. This was a bit too far to go just to take a photo but I’m pleased to say a big “Thank you” to Olivia Wallace,​ Customer Care Support at Eastern Suburbs Memorial Park who kindly took the trouble to photograph the plaque for me. She apologised for it  as it was high up on the wall but there was no need as it is fine. 

I was sorry to hear of the death of (Winfred) Shirley Hughes at the age of 94 on 25th February 2022. She  was born on 16th July 1927 and grew up on the Wirral at West Kirby, a town I know well.. Shirley was the youngest of three daughters born to bargain store magnate TJ Hughes. She won many awards including the Kate Greenaway twice, in 1977 and 2003 and is probably most fondly remembered for her character ‘Alfie’ I have only found seven PAN/Piccolo titles with a connection to Shirley but I am still looking,  I have put these on a page HERE

While looking for something completely different I got a reference to Companies House and a link to the ‘Certificate of Incorporation’ for PAN Books. I thought that might be interesting but if you click on the link to the document HERE you’ll see why I was disappointed!

It was good to see the pop up bookshop back in Wolverhampton again last week,. I nearly missed it but managed the last day and came away with half a dozen books plus some first day covers with stamps by Brian Sanders for only a couple of pounds.. It is good to have it back after quite a long break and hoping for many more ‘pop ups’ this year. Speaking to the organisers they say the shopping centre are very pleased to have them there as they bring in customers that might not normally visit, me incliuded! Another plus side is we now have the direct bus to Wolverhampton reinstated even though the timetable is a bit erratic.

Not PAN but I couldn’t let the news of a near neighbour (does 7 houses between us count as near neighbiour?)  Daniel Wiles pass without congratulating him on his new book. He has been included in the 10 best debut novelists of 2022 for his book ‘Mercia’s Take’ I have a oopy and hopefully can bump into Daniel to get him to sign it after I have read it. Just wondering if my wife taught him at primary school?

I’ve never been a football fan having only been to a ‘proper’ match once and that was enough. It happened because West Bromwich Albion owned the house next door for their managers to use and one year we got tickets from Jimmy Hagan for the directors box for a match on boxing day. It was at bit embarrassing having to ask after fifteen minutes which team were Albion and which were Spurs. PAN appears to have taken over publications from the Football Association themselves sometime around the early 70s and I have added a few of these plus other football related titles HERE I got several of these in a ‘bumper bundle’ and for once I am not going to be a completist for all of them!

Always on the lookout for cover variations I found a few more covers for Grace Metalious. The two from 1974 are not really eye catchers plus the 1971 cover for ‘Peyton Place‘ is just a variation. The one I really want to get is the 1972 edition of ‘Peyton Place’ which matches ‘Return to Peyton Place’ for which I have the artwork but no idea of the artist. The only copies I have seen are on sites in the Far East and the one I’ve ‘sponged’ is from Kuala Lumper and the seller doesn’t ship to the UK!

One of those weird coicidences happened this week when I was really pleased to be contatced by Lyn Kirby, who worked at PAN as Cover Controller from 1979, and who mentioned football as had I. Lyn emailed me her menories of working in the ‘warm, dusty and dark basement’ which you can read about here.

“I started at Pan Books in Cavaye Place in 1979 as a Production Assistant. I had no plan to work in Publishing, but I went for an interview via a recruitment agency and I think I got the job because I actually read books! Not like now when you need degrees, internships and extra publishing qualifications.
I was 18 years old and desperate to work in London for some reason. I started off helping all the different people in the Production department with typing, filing etc and moved on to being Cover Controller within a few months. My bosses were Dennis Crutcher as Production Manager and David Bleasdale who was Production Director.
I worked quite closely with Stan Boswarva who was the sweetest guy imaginable – he gave me a ticket for the QPR v Spurs FA Cup Final because he knew I was a QPR supporter and he got tickets from the Referees Association as I think Pan did their book. And I remember Ken Hatherley well – I loved going over to the Studios on the other side of the road to Cavaye Place. I think it was called Stanley Studios which was a bit of co-incidence
So my main job as Cover Controller was to get all of the new covers repro’d from original artworks or transparencies, proofed and approved. Then decide who out of our 3 main cover printers was going to print them, arrange for them to be uv varnished or in special cases, laminated. I had to ensure they were all delivered to the book printer in time for them to be bound.
Reprints was a case of getting the job bag out from the basement and checking what the last cover was and then reprinting. The first cover I ever did was the graphic representation of ‘Penmarric‘ by Susan Howarth. I was so proud to see it in a bookshop.
The basement was warm and dusty and very dark if someone turned the lights out for a joke. The racks were full of old cover artworks which I used to flick through now and again to admire the bright colours and the then, old fashioned styles.
Some were still in job bags but most were just placed in the racks in random order. If I had known they were going to be thrown out or destroyed, I might have done something about it but I would have been too young and honest to have taken them home!
Sadly I never had anything to do with the artists during my time there and we were moving on to photographic covers by then anyway. I had left for another job in book production by the time the covers were going to be thrown out.
I did meet some very famous authors though when I was lunch relief on Reception imcufing Jackie Collins, Douglas Adams and Barbara Cartland.
I don’t work in Publishing anymore but made it to Production Manager of various publishing companies handling multi million pound printing budgets and being responsible for all book production so not bad for a girl who got the job because she could touch type and had read interesting books!

I now run vintage fairs and other events as a part time job – well not even a job really but it keeps me in books and vintage costume jewellery (my other love)”

I’d like to thank Lyn for getting in touch, for her memories of her time at PAN and for kindly attached two photos, one from 1984, just after she left PAN, the other from 1994.