I recently had a request for a scan of the Bonham’s Catalogue of “Original Paperback Cover Artwork from the Pan Archive” as a reference source for a magazine article followed by “and I need it ASAP”

I scanned it all and then thought why not use the opportunity to make it into a Flash book so to view just click on the image below. As the catalogue has a glued spine it was not always possible to get it to lie flat without damaging it so some pages are a little awry.

This was the sale that caused so much bad feeling between the artists and PAN with several of them protesting outside the sale rooms. The dispute was over who had copyright of the artwork, the company or the artists? The artists always maintained they still retained ownership and the originals should not be sold. This was eventually resolved and the artists do now retain ownership of their works.

I also have the Bonham’s Catalogue of “Original Corgi Paperback Cover Design from the 1950’s, ’60’s and ’70’s” from 12th September 1990 if anyone is interested in that?

I’ve just realised I’ve missed the fact that Alan Bott was born in Stoke-On-Trent on January 14th 120 years ago . I am putting together a page on his involvements with other publishing companies and not just PAN. He started “The Book Society” in 1929, “The Reprint Society” in 1939, “British Publishers Guild” in 1941, “Avalon Press” in 1945,”PAN” in 1945 and assisted in setting up “The Folio Society” in 1947. “PAN” and “Folio” are still going under their own names and “The Reprint Society” became “BCA – Books Clubs Associates” until it’s demise in 2008.
  
I still have several other bits and pieces to add but wanted to link this with the birthday.

Having accused some booksellers of incompetence I should add this can sometimes be to your advantage. I picked up a copy of the Piccolo book “Fun With Words 2” by Ronald Ridout at a church booksale for next to nothing (I think it was fill a bag for a pound) This started me looking for the other 3 but I was surprised to find they were so scare with only two sellers listing them and then both having “Fun With Words 4” one asking £34 the other £35. One of the sellers had this same edition on eBay, Abebooks, Alibris and Amazon UK all with the price at £34. I just happened to look on Amazon USA and noticed it was there but for 34 cents – yes cents – so I bought it. I was quite expecting to get an email saying they hadn’t got it to get out of the transaction but it arrived today and for 34 cents! I have bought before off sellers on Amazon USA where they have the same price as Amazon UK but one is dollars the other pounds. You just have to watch the extra postage doesn’t outweigh the saving.

Is it just me or are ‘booksellers’ get lazier/more incompetent relying on databases too much? For a long time I’ve realised a lot of sellers on eBay don’t really know what they are actually selling, just type in the title and the database will fill in the rest regardless of edition, date etc. On Abebooks I wouldn’t buy books with ‘stock photos’ without double checking but thought I was safe with ‘booksellers photo’ until the day I got what I wasn’t expecting. On contacting the seller he told me he hadn’t put up a scan so it must have been Abebooks automatically adding them and incorrectly in this case. On Amazon it seems to be the exception if the correct date and edition are even mentioned let alone the image being right. 

What brought on this moan? Well I recieved a book in the post from the States yesterday, excitedly opened it to find it certainly was not what I was expecting ie a very hard to find title in the Piccolo Picture Bafflers series. The label on the back was for the book I wanted as was the full description on Abebooks but I certainly do NOT want what I received – see below. To their credit the seller has given me a full refund of all costs but that is not really any consolation for not having the book. There must be something about Bafflers as I ordered two titles from another seller but they never arrived. When I asked where they were the seller said that all the books mailed that day ‘had gone missing’ and gave me a refund but again that is not consolation.

Just looking at a few booksellers online listings for PAN 335 “Casino Royale” and several include statements like “Front inner hinge professionally strengthened“,”Jacket discreetly and expertly reinforced at spine” and “Spine split fixed with tape” What they seemed to have missed is this opposite the first page.
   

There were many titles published by PAN between 1955 and 1957 with this reinforcement which could be mistaken for a repair.

The Book Machinery Co. Ltd. had many patents including ones for roughening the spine before applying the glue which included a suction device to stop the small particles clogging the machine. The final stage was applying the calico tape.

Book Machinery Co Ltd Patent Document 463826

 This is a translation from the German to explain the process.
“In England in those years of the Book Machinery Company Ltd.  London a High-performance system under the name “Flexiback Thermoplastic Binder” especially for large binderies and business books factories and was built in two models. Model for E for Verlagseinbände which were then rounded and pressed or for brochures and Phone books. The hourly capacity was two thousand and more. It was with or without semi-automatic feeder equipped. S was the model for the production of business books, copying blocks, etc. up to a length of two feet have been developed. This model when processing either loose leaves or sheets an output of six hundred copies per hour can be achieve. The machine worked continuously with cold glue in a polyvinyl execution. Was glued on and between the sheets fanned. After operation of this machine, the spine of rotating Fräsmessern cut, then fanned out and glued under pressure through nozzles. in the next step covered by the brush back that was just addressed, the excess glue off. Then the back was cut a second time. With a third nozzle glue was sprayed onto the paper, then on the back, then fabric strip. After briefly pressing the books were then in the drying station. Only after the books have been rounded and pressed”
So now you know how it all works!

The latest copy of “This England” has a four page article on Ian Fleming and James Bond illustrated with several of the PAN Bond covers from the 1960s.
   

After visiting Val Biro I came back up through Woking the next day to visit Ken Hatherley. Ken started at PAN in the 1970’s and worked his way up to be Studio Manager in the 80’s  We have communicated before but this was a chance to meet up in person and for me to see some of Ken’s bit and pieces. It turned out to be an expensive visit as I bought my Christmas present, the original artwork for a George Sharp cover, and a couple of original artworks for Piccolo titles off him. I have put together a page for Ken and added him to the Artists link at the top which now becomes Artist etc to give a wider scope for inclusion.

On my recent travels I picked up a printing block for the back cover of “The Explorer” by Somerset Maugham. These are not often found as they were usually recycled but the problem is which edition is it from? I have a second printing and although the ‘blurb’ is the same the layout isn’t.