I was pleased to hear from John Mott who told me his uncle, the actor Frank Ellement, was used by Sam Peffer as the face of James Lessiter on the cover of G122 ‘Miss Silver Comes to Stay’ John wrote “Frank was born in Ottawa, Canada in 1928 and died in London, England in 1998. He moved to the UK in his early 20’s. He was an aspiring opera singer and did quite a bit of modelling and bit part acting to make ends meet. There is an entry for him at IMDB. He eventually settled into life as a school teacher. He was also for some time the lover of journalist Patrick Thursfield (1923-2003) His younger sister (my aunt) passed away in Ottawa a few years ago, and I inherited Frank’s portfolio scrap books. These had been sent to my aunt by Patrick Thursfield, in his capacity as Frank’s executor. A small advertisement for the Patricia Wentworth paperback was clipped and pasted into the scrapbook, along with many other magazine and newspaper clippings featuring my uncle. This small clipping is very likely the only piece of surviving evidence that links my uncle to Sam Peffer. I am attaching a professional headshot of my uncle from that time, that most closely approximates the art. Until visiting your website, I had always imagined that my uncle had posed for the painting. It now seems quite possible that Sam never actually met my uncle, but simply painted the face from a headshot” At one time Frank was considered for the role of James Bond. I contacted Kathy, Sam’s great niece, to see if she knew the name but she emailed back to say “Just a quick one to let you know that I have never heard Frank Ellement’s name mentioned or seen it written as a contact in an address book, but so pleased to have received your link as I don’t remember seeing that cover before. I see it is 1958, the year I was born. Definitely uncle Sam modelling in the photos, it is in the sitting room of 13 Stonenest Street, Finsbury Park (my childhood home with Kit and Sam). The curtains are claret red and the carpet is black with yellow scrolls. The desk furniture is their dressing table, and the chair is from their dining room suite which had a mustard/grey mottled vinyl seat. The black telephone on the desk was their home phone and the number was ‘Archway 6040’ The green phone in ‘Please Don’t Eat the Daisies’ with Doris Day/David Niven, was also their home phone from 1964 to the 1980s in Finchley was ‘Hillside 9989’!“

While sorting out my Picador titles I found I had two copies of ‘Roots’ by Alex Haley, neither of which are firsts.  I thought it would be easy to find a copy but I was wrong. This is probably because it wasn’t the success it became after the TV series so later copies are the ones ‘flashed’ in some way. I was interested to find in one of my copies a lot of faded newspaper clippings purporting to say a lot of the book was plagerised and fabricated, this being discovered in Haley’s private papers after his death. Click HERE to see one of the articles from ‘The Times’

This weeks short lived cover is for  X375 ‘Claudelle’ by Erskine Caldwell. The 1960 cover by Hans Helweg, for which he got paid £42, was replaced in 1961 by a Sam ‘PEFF’ Peffer cover as a film tie-in. The 1960 cover mentions a film coming shortly so probably prophesising is own demise. While the original artwork from Sam correctly names the film released as  ‘Claudelle Inglish’ the printed cover has it as ‘Jilted’, the name used for the film in Australia amongst other countries. I much prefer Hans version and my copy of the book looks and feels as though it has never been read.

After mentioning a couple of covers with two versions just a year apart (‘N or M?’ and ‘Maquis’) I thought I would include another with two versions from 1956 and 1957. This time it is X1 ‘Eastern Approaches’ by Fitzroy Maclean with the Bruce C Windo cover ousting the Carl Wilton version. Major-General Sir Fitzroy Hew Royle Maclean of Dunconnel, Bt KT CBE is often cited as the model for James Bond but then again are so many others.

While sorting my James Mayo (penname of Stephen Coulter) covers I though I had made a mistake as I had three copies of ‘Asking For It’ all dated 1972. The first was just a standard, the second had a ‘New In Pan’ sticker but the third was completely different. I have to say I don’t really like the earlier cover with the ventriloquists’ dummy and I guessing the one featuring a tape is the later version as the price has gone up 5p. As everything is exactly the same I presume they are just using up previous text blocks. This title is number six in the ‘Charles Hood’ series.

‘Solomon’s Vineyard’ by Jonathan Latimer is another title with two covers both with the same date of 1961. I think the earlier one could be the Sam ‘PEFF’ Peffer  version with the other being later just from the style of painting. I’m wondering if the one was a UK version as it is priced whereas the other has no price on the cover or back which could make it an international edition. I’ve scrutinised them and the dated text block is exactly the same in both.

Thank you to Peter Miller who let me know he had an article in ‘The Penguin Collector’ number101 before it was sent out. It is regarding the fallacy that Mervyn Peake designed all the PAN logos when in fact it was only the first six titles published without a number that he had a hand in. From PAN Number 1 onwards it was a design by Edward Young.

Two of Meryn Peake’s designs.

A while back I was pontificating on why PAN felt the need to issue two printings of ‘N or M?’ just a year apart with so similar covers, I am now wondering the same as to why the two covers for ‘Maquis’ from 1956 and 1957? I do think the later by Rex Archer is a better cover with the earlier one by Carl Wilton looking, in my opinion, indistinct. I pulled my other two George Millar titles of the shelf and have added them to the site. They are X16 ‘Horned Pigeon’ and ‘The Bruneval Raid’

I have mentioned Peter Tietjen a couple of times as he worked for PAN in the studios in the 1970s. He has a few albums of PAN related bits and pieces online and I dip into them now and again. This time it’s a video they made while experimenting with animation and features the word ”PIcador’ It is from 1975. Click HERE if you want to watch it, it lasts just over a minute.

Having mentioned I was scanning in the Agatha Christie covers I call the White Top and photo series last week I thought I should I knuckled down and finished all the titles, editions and variants I have from this late 1960s, early 70s series. Since then I have spotted at least two more variants of titles I have but I don’t think I’ll be rushing to buy them as there are plenty of the others at the moment (five copies of Poirot Investigates might be enough) This sort of completes the Christie photo covers from PAN with the Double Dagger series and the All Photo series.

When doing a search for PAN I am often offered PANther but for once it was a title I was after, namely ‘Raiders of Darfur’ by Stanley Mann. The reason is that the cover was by Derek Stowe, who also painted several PAN covers and sadly passed last year, and was the only one of his covers I didn’t have the book for. The image on his page was from the Bodleian Library and was for the Panther 214 paperback edition. What I got was the hardback library edition actually bound by Panther and not by a library as I thought it would be. The Panther Library editions, published by Hamilton, are not to be confused with the Panther Library editions, published by Nelson, as I found out! Anyone want a copy of ‘At Close Grips’?

I mentioned the passing of artist Eric Tenney and that I’d had a communication from Sue, his daughter about selling his artworks. She also said “We do have many of his paintings but Charlie is special. Dad rescued him from a pet shop in Epsom, built a huge cage for him in his studio and worked striped to the waist in an over heated studio to try and nurse him back to health. We named him Charlie and used to love petting and feeding him moths and meal worms which he held like a banana”  I had bought Eric’s painting of Charlie the Bushbaby off eBay but when Sue asked if there was any chance of getting him back I reluctantly agreed. In exchange Sue sent me the artwork for Colin Forbes ‘Shockwave’ but we’ll miss Charlie even though I scanned him in and his clone is now taking his place. The photo is of Charlie back with the family.

Sorry, just a brief blog this week as we have spent the last few days pet sitting our daughters five cats and huge dog, who is lovely, but insists on sleeping on the bed with us otherwise it howls all night. That was followed by the arrival of our son and family coming to stay for a few days, which was really enjoyable with trips out every day to places like Blist Hill, but which makes scanning books etc. very difficult.

I mentioned last week the sad news of the passing of artist Eric Tenney. I have since heard from Susan, Eric’s daughter, to say she has been going though his studio and there are numerous paintings that could be available for sale. If you know of a cover by Eric and would be interested in find out if it is in his studio please email Susan using susanth107@aol.com.

Congratulations to Jules Burt on getting the last title in the first 1,000 Penguins he was after, namely number 464 ‘Death on the Borough Council’ I am hope to experience that elation one day when I get my last title, X705 ‘PAN Junior Crosswords Book 3’

I am currently trying to scan in all the Christie covers with a white top and a photo from around the late 1960s to early 70’s with as many of the variants as I have which is proving to be a larger undertaking than I though but hopefully completed by next week.

Hearing a recent mention of the name Sandy Gall made me check how many of his books PAN published. He is a Scottish journalist, author, and former ITN news presenter and PAN published two of his books. I thought I’d just check on AbeBooks to see if they listed any I hadn’t got and it would have been a dilemma knowing which copy of ‘Chasing The Dragon’ to buy if I needed one. £9.22 for shipping!

His other title was ‘Gold Scoop’ published in 1979. Henderson Alexander “Sandy” Gall, CMG, CBE was born in Penang on the 1st October 1927.

While constantly trying to track down the artists for book covers (and the artists themselves) I often find Pat Owen’s name crops up  such as the first edition of ‘The Greatest Raid of All’ but I’m stumped by the later two. Can anyone suggest possible artists as mine would just be guesses from the styles. The raid was named ‘Operation Chariot’ and was a daring attack on the docks at St Nazaire in German-occupied France by British forces on 28 March 194212345. The operation was a feat of cunning and daring that helped to shape the war at sea1. Over 600 Commandos and Royal Navy servicemen set sail from Falmouth, Cornwall to partake in the raid4. The mission was to sail undetected up the estuary to St. Nazaire disguised as German warships and destroy the largest dry dock in Europe.

Looking at a couple of covers with the connection of having a face on on them makes me wonder who comes up with the ideas? The first is for Sidney Sheldon’s first novel  ‘The Naked Face’, one of the several titles by Sheldon published by PAN. I’m not sure what it is supposed to convey but I quite like it unlike the latter edition which does nothing for me. Sheldon was born Sidney Schechtel in Chicago, Illinois on February 11th 1917. He was prominent in the 1930s, first working on Broadway plays films, and television. After turning 50, he began writing romantic suspense novels, with his novels selling over 300 million copies in 51 languages. Sheldon is consistently cited as one of the top ten best-selling fiction writers of all time. He died in California on January 30th 2007. The second cover my wife described as ‘disturbing’ It is for Flam O’Brien’s 1974 Picador edition of ‘The Third Policeman’ Again I’m not sure what it is meant to convey but it does have something going for it.

I was sad to get an email from Susan, Eric Tenney‘s daughter, to say he had passed away on the 6th of June with his funeral next Friday. We seem to have lost so many great artists in the last few years, artists who knew how to paint a book cover.

I recently heard from Tim Smith in Australia  to say did I know M120 ‘Two Gentlemen Sharing’ by David Stuart Leslie (1921-1999) had a cover by Hans Helweg? I did as the original artwork was in the plie I saw in Hans Helweg’s studio but I hadn’t got round to updating the page which I have done now.. Hans got paid £50 16s for the front cover and £26 10s for the back in February 1964. The original artwork was bought by a friend and I presume he still has it. PAN also published Leslie’s X194 ‘Two Left Feet’  and both titles were filmed in the 1960s. 

PAN X192 ‘The Furnished Room’ by Laura Del-Rivo from 1963 was made into a film in the same year and renamed ‘West 11’ and starring Alfred Lynch, Eric Portman and Diana Dors. To read more about Laura Del-Rivo (13/02/1934 to 30/03/2019) and her life click HERE PAN also published her book ‘Animals’ in 1967

Alan Samuel Lyle-Smythe MBE, M.C. (09/11/1914 – 01/10/2006) who wrote under the name Alan Caillou, was an English-born author, actor, screenwriter, soldier, policeman and professional hunter. PAN published his book X217 ‘Rampage’ in 1963 to tie-in with the film of the same name starring Robert Mitchum, Jack Hawkins and Elsa Martinelli. PAN also published his X205 ‘The Walls of Jolo’ in 1962

I wonder if Tony Whitehorn wrote the cover blurbs?

Having mentioned obtaining a signed copy of Pat Reid’s ‘The Colditz Story’ it made me decide to put together a page with all the early PAN titles with a Colditz connection although I actually though I was going to find  more that just the four. As well as the one page I’ve also updated all their individual pages. The artists for two are easy to spot, namely F V M who was Francis Marshall who did so many Cartland covers and Sax (Rudolph Michael Sachs) I don’t have an artist for the Eggers cover. I have included pages from the relevant PAN Record magazines and some ‘Escape From Colditz’ merchandise including the board game devised by Pat Reid. These were banned in Germany as they showed the swastika hence the artwork being changed on later editions.

I’d forgotten I had a couple of paintings by Paul Davis, who did 12 Leslie Thomas covers for PAN plus a couple of others, that he did as advertising for Terry’s Harlequin chocolates hence the spurious connection. I also found an advertisement for Terry’s on YouTube so if you have 32 seconds to spare click HERE.

I have only just found these face masks which are not really PAN but included because of the same name from back in 2014 when we went to Croatia and I rounded up several PAN beer items. Since then Tomi has been sending me other PAN branded items such as playing cards, a T shirt and these face masks. Hopefully I won’t need them anytime soon.

FOOTNOTE I’m always pleased to find I get around 1,500 visitors a week but last week it went up to nearly 6,000. Now left wondering why and can I get there again?  The best week was back in 2017 when I got to 74,000 after a mention in The Bookseller magazine. Happy to receive any requests for items to include in these blogs such as covers of specific authors or featuring a particular artist etc that you would like to see.

Simon Francis posted several photos of the James Bond material in his collection on Facebook and a couple caught my eye. Included was the advert above, which I have, but also the counter display below so if anyone has one to spare …….. or for that matter any other PAN advertising material they don’t want then please email me.

David Reinhardt, who is lucky enough to have a Golden PAN Award, posted more pictures of it on Facebook this week and although two are from the usual angle it’s interesting to see one of the back — no I’m not going to say his backside! If anyone has a Golden PAN Award they don’t want ………!

For a while my A3 Printer/Scanner has been playing up, well the printer part, and the only answer seemed to be a new print head which was more expensive than a new printer. I thought of keeping it just for the scanner but it was really too big to justify the space for something than only half worked. I bit the bullet and bought a new one but as luck would have it my old scanning software wouldn’t work with it so I’ve spent the last week trying to get a substitute and eventually resorted back to VueScan. To give it a good test I’ve taken the four PAN editions of ‘Wingless Victory’ by Anthony Thomas Stewart Currie Richardson (1899 to 1994) and included them with three of the original artworks. I advertised the old printer on Facebook and it went within an hour, did they know something I didn’t?

Sorry only a couple of things this week as we have been down in Kent stopping with our son and his family and in spite of getting out and about only managed  to pop into one bookshop and came out empty handed. We did get to visit some friends who were stopping in a cottage in the grounds of Hever Castle. It was only £4,550 for the week, click HERE if you want to see what you get for that sort of money!

I came back to find a copy of ‘Chitty Chitty Band Bang’ I bought from Spain ages ago had finally arrived, Unfortunately I can’t find the contract I had before I went to Kent giving details of the agreement with PAN to publish it in Spanish. I have looked through it very carefully and nowhere does it mention PAN or that it is the book of the film by John Burke although all the illustrations are based on the film story and not that of Flemings.

I’ve just been watching the YouTube video where Paul Duncan is reviewing his book on ‘Dr No’ published by Taschen and was pleasantly surprised to get a name check about eight minutes forty five seconds in. Looking forward to the trade edition coming out as the current limited edition is a little too much for me.